Jazz for St. Demetrios: A Benefit Concert
The Brian Bromberg Band
Bill Cantos • Mari Falcone
St. Demetrios Greek Orthodox Church had a devastating fire on May 29, 2013. This page is dedicated to a fundraising event to be held 8/27 at the Fox Theatre that will help our community recover from its losses.
In an effort to raise needed funding, “Jazz for St. Demetrios” has evolved.
Everyone is invited to attend a special benefit concert on Tuesday, August 27, 2013 at the Fox Theatre that will feature three world-class internationally known jazz artists who will aid in raising money for the Church rebuild:
Brian Bromberg, Bill Cantos, Mari Falcone and local openers, Tucson Jazz Institute's Ellington Big Band.
This rare jazz event is possible thanks to Presenting Sponsors: AHEPA - Chapter #275, Mr. James and Mrs. Beth Ruboyianes and Angel Valley Funeral Home.
Tucson AZ | Jazz
Brian was born December 5th, 1960 in Tucson Arizona. He grew up in a family of musicians and artists. His father and brother played the drums. With all that music around the house, and drums all over the place, it was natural for Brian to start playing the drums as well. Brian was two and a half years old, beating up the furniture and banging on anything that didn't move. After some years of playing and practicing, Brian began his professional career as a drummer at the age of thirteen.
In elementary and Jr.high School, Brian also played the cello. That was one instrument that Brian did not feel very comfortable playing. One day in orchestra class at jr. high, the orchestra director came over to Brian and said, hey Brian, you see that big bass over there in the corner? You know that nobody is playing it. Don't you want to play that big cool bass over there? You see, the orchestra director had a plan. He thought that having one bad bass player was better then not having one at all. That was his way of getting Brian to stop trying to saw his cello in half!
That day was a blessing in disguise. Brian didn't realize that he had the gift for melody as well as rhythm. With his drumming background, and all this new melody available to him from the bass, Brian knew that this was going to be his path.
From ages fourteen to eighteen, Brian locked himself up in a room and practiced day and night. Testing out of high school early and devoting all his time to music, for the next few years Brian played every type of gig imaginable. Quite often Brian would play five to seven nights a week with several different bands.
Brian's first big break came in 1979 when Marc Johnson, the wonderful bassist with the great jazz pianist Bill Evans, heard Brian play. Several months later while on tour, Marc ran into legendary jazz saxophonist Stan Getz. Stan was looking for a new bass player and asked Marc if he knew any new young players. Marc told Stan about Brian. Brian auditioned for Stan and joined the Stan Getz quintet in December of 1979. Brian had just turned 19 and spent nearly a year touring the world with Stan and his band.
Brian's solo career began with the release of his first album A New Day in 1986. Right from the beginning with this first release, critics started noticing that Brian was different, doing things with the bass that had not been done before. Bromberg's reputation was starting to spread throughout the world. Smooth jazz radio took notice as well, breaking Brian into the format and charting with his first record.
His next release Basses Loaded, started to propel his visibility more. Even the title track became a cult classic amongst many bass players. Again, radio embraced his music and Brian was beginning to be recognized as a composer as well as a bassist.
Brian's very much anticipated third release, Magic Rain was the #1 most added record to radio in the country within the first week of release. Many people feel that this recording is when Brian started really coming into his own skin as an artist.
Bromberg's fourth release BASSically Speaking, actually a reissue of Brian's first recording with some new tracks and additions, went top 5 on the radio charts and #7 on the Billboard sale's charts.
Brian chose to go back to his mainstream jazz roots for his fifth release, It's About Time, The Acoustic Project. This is a straight ahead jazz record that feature's jazz greats "Freddie Hubbard" and "Ernie Watts". This is an all-acoustic jazz record that went to #4 on the mainstream jazz charts. Brian went back to his electric, more contemporary sound for his next record, BRIAN BROMBERG. This CD has an all star cast featuring: Everette Harp, Ivan Lins, Jeff Lorber, Lee Ritenour, Toots Thielemans, Ernie Watts, Kirk Whalum and many more. This disc ranges in styles from extremely funky to wild and crazy all the way to mellow and soothing.
In February 1998, Brian released You Know That Feeling, An exceptional CD featuring smooth jazz greats, Rick Braun, Joe Sample, Jeff Lorber, and Everette Harp, among many others. By June of '98, Brian had his first #1 record of his career and had three singles in a row that each went to #3 on the charts. He spent 17 consecutive months on the charts, 8 months in the top 10, nearly 6 months in the top 5. Brian's CD was the 5th most played CD from the top 100 CD's of the year in smooth jazz. To this day, You Know That Feeling still remains in regular rotation on smooth jazz stations across the country.
In 2002 Brian recorded his first acoustic jazz trio CD Wood featuring the incredible Randy Waldman on piano and Brian’s brother David Bromberg on drums. A mixture of jazz standards and modern classics ranging from Cole Porter to the Beatles. This recording not only sold very well throughout the world, but it also gained Brian quite a bit of notoriety as an acoustic bass virtuoso as well as a respected producer. The audio quality of this recording has been compared with some of the best sounding recordings in jazz. Wood has been used all over the world to demo the highest quality audiophile stereo equipment available and has become a standard in many audiophile retail stores throughout the world.
Brian’s next project, Jaco, was originally released in Japan. The concept of the project was to have an all star cast of bass players contribute one song each on a CD that was a tribute to Jaco Postorius’s 50th birthday, had he lived. Brian was slated to produce the project and was only going to play one song on the record with the remaining songs played by other well known bassists. For unknown reasons that puzzled both Brian as well and the record company, almost every single bassist that was asked to participate on the CD fell though. The record company decided that there couldn’t be a tribute CD featuring one musician. By default the record became a Brian Bromberg project featuring many of Jaco’s most well known songs, in addition to tunes that were made popular by the group Weather Report that Jaco had a major presence in. Needless to say, Brian looked at this as a very daunting task and often says that it is impossible to fill Jaco’s shoes, and certainly no bass player can out Jaco, Jaco. Brian truly made this his own project and significantly changed the arrangements on many of the popular songs while using his acoustic bass as a major voice on the CD. Jaco never played the acoustic bass yet Brian used his greatest tool to give tribute to one of the best electric bass players that has ever lived. This CD holds a very special place in Brian’s heart because on many occasions he had hung out and even played with Jaco. It meant a lot to Brian to make a record honoring a musician that he respected so much. Brian’s CD Choices in 2005 is a recording made up of music that was in his mind and heart for a long time. Most of the music on Choices was written and inspired from real life experience. Brian looks at this CD as a book of short stories. Each song is a different story with a common theme of the artists’ voice. He wanted to tell many different kinds of stories with a collection of music, using vastly different types of songs and styles, from funky grooves like "Never Give Up", "Bass Face" and "B²," all the way to true human experiences like the Columbine High School tragedy in the song "Why?," and the song "Hear Our Cry," which is Brian’s story of a fight for freedom and a tribute to the indigenous people of Africa.The one thing Brian will tell you is that this is a big picture CD, not just a CD about bass playing. All of the guitar sounding parts were played on basses tuned to the register of a guitar, and truly used the bass in many different ways. Brian used his versatility and use of the modern bass to be more melodic and help tell the big picture story that held inside of him.
Brian’s next release called Metal is his first instrumental rock fusion recording highlighting his command of the piccolo bass. When you listen to this record you would swear that it is a screaming rock guitar record, yet there is not one single guitar on this CD. Brian has yet again demonstrated how he can push the envelope as an innovator of the bass.
After rocking out with Metal, Brian chose to follow up with a sequel to his award winning acoustic jazz trio CD, Wood with Wood II. Wood II shows more of Brian’s sense of humor and adds a breath of fresh air to a Jazz trio project. It features the incredible talent of Randy Waldman on piano, and the world’s most in demand drummer Vinnie Colaiuta. Truly the perfect blend of serious traditional jazz and lighthearted fun that will make you smile.
Still in the acoustic vibe, Brian received his first Grammy Nomination with his next project Downright Upright. Another groundbreaking project for Brian as it topped the Smooth Jazz and the Traditional Jazz charts at the same time with the same record. This is a very challenging feat. The CD features an all star cast including Rick Braun, Vinnie Colaiuta, George Duke, Boney James, Jeff Lorber, Lee Ritenour, Ganin Arnold, and Kirk Whalum. A blend of originals and jazz classics, this without a doubt a fun, funky, feel good record.
Brian’s next American release after his Grammy nominated Downright Upright is the fun and funky It Is What It Is, This CD is quite a departure from his past few releases. It focuses heavily on the electric bass and has an in your face ten piece horn section! Bromberg gets loose and groovy throughout the 13 tracks on It Is What It Is, including his unique spin on the B52's dance classic "Love Shack” and Quincy Jones’ theme song to the classic hit TV series “Sanford and Son”. Brian is joined again by some of the greatest musicians in the world including: George Duke, Patrice Rushen, Jeff Lorber, Randy Brecker, Eric Marienthal, Gerald Albright, Richard Elliot, Rick Braun, Will Kennedy, Dave Weckl, Alex Acuña, Paul Jackson Jr., Dan Siegel and more.
Brian’s next project is his first completely solo acoustic bass CD called Hands. Originally released in Japan, this CD was the vision of King Records executive Susumu Morikawa. Recorded at a beautiful private recording studio on a ranch surrounded by horses and giant California Redwoods, this CD is truly one of a kind. It is a purely audio file recording which was captured using three state of the art Neumann digital microphones. It was recorded at 24 bit 96Khz bandwidth and is a remarkable recording.
The diversity of the songs makes this album an adventure to listen to. The listener will experience everything from jazz classics like Stella By Starlight and In A Sentimental Mood, to songs by The Beatles, Jaco Pastorius, Sting ("King Of Pain"), and even Led Zeppelin ("Black Dog") and Usher ("Yeah"). If you are a fan of the acoustic double bass you will love this State of the art solo bass recording.
In addition to Brian’s success as a solo artist, he has developed quite a reputation as a producer. To see some of the projects that Brian has produced, go to the B² Productions area of the site as there are many CD’s and sound bites from some of those projects.
All in all, Brian has produced at least a dozen top #10 hits as well as three #1 songs for several artists!
Brian certainly has evolved into a very respected voice in music industry. From smashing through the barriers of how the bass is SUPPOSED to be played, cutting edge bass design, to being recognized as a world-class producer, songwriter, and session musician. He keeps pushing the envelope to become the best that he can be and to keep pushing the boundaries. As Brian himself says, "There are no rules, just dreams".
Los Angeles CA | Singer-Songwriter
Keyboardist, singer/songwriter, arranger, producer....
Bill has released six solo CDs; the most recent is Love Wins: New Standards For The New Millennium, a collection of new songs written in the style of classic jazz standards. Among his current projects, Bill can be heard singing the main title song "All Right Day" in the new film Home Run Showdown (co-written by Bill and his wife, Mari Falcone). He records and tours with Herb Alpert and Lani Hall (his song "I Feel You" is the title song of their most recent CD and two more of his songs appear on their previous release, Anything Goes) and is also a featured live performer with Burt Bacharach.
The artists with whom Bill has toured and/or recorded include Phil Collins, Alan Bergman, Elton John, Leon Russell, Diane Schuur, Lisa Ono, Jackie Evancho, Kirk Whalum, Bob Dylan, Brian Bromberg, Barry Manilow, Jay Graydon, David Foster, Il Volo, Kevyn Lettau, Deniece Williams, Debby Boone, Freddie Hubbard, Vikki Carr, Steve Amerson, Tony Guerrero, and Rita Coolidge. His songs have been covered by Ramsey Lewis, Lea Salonga, Patti Austin, Brenda Russell, Janis Siegel and Cheryl Bentyne. Bill has a deep love for Brazilian music, and has worked extensively with many of Brazil's best-known artists, including Sergio Mendes, Dori Caymmi, Flora Purim, Airto Moreira, and Gal Costa.
Gospel music is also a passion for Bill; he leads worship, has written songs for Clay Crosse, Maranatha Music and Helen Baylor, performed for half a million people as musical director/keyboardist of the Promise Keepers worship band, and appears on CDs by Donnie McClurkin, Tommy Walker, and Andrae Crouch. For nine years he was heard on the "Haven" radio broadcast as a member of their vocal quartet.
Theater is another avenue for his talents; he appeared in the LA world premiere of Cy Coleman/Alan & Marilyn Bergman's musical Like Jazz and has written an one-act musical, The Little Room. He has performed on the soundtracks for dozens of films including The Lorax, Rio, Tangled, Mars Needs Moms, Iron Man 2, Spiderman 3, WALL-E, Ice Age 3: Dawn Of The Dinosaurs, Tyler Perry's I Can Do Bad All By Myself & Polar Express.
Growing up in San Diego, California, Cantos received a Masters in Jazz Studies from the New England Conservatory of Music in Boston, where he studied piano with Fred Hersch. He currently resides in Los Angeles working on new projectswith Mari, including songwriting with Alan & Marilyn Bergman and Johnny Mandel.
Los Angeles CA | New Age
Mari's multi-faceted career defies boundaries and encompasses the worlds of classical music, theater, pop, gospel, jazz, and R&B.
As composer/arranger/lyricist: main title song and additional scoring for the new film HOME RUN SHOWDOWN; “The Garden Ballet”, commissioned by the Florence Dance Company, Florence, Italy; Debby Boone’s album for children “The Snow Angel” (composer/producer); projects for theater, TV and film, including "Louise Duart: The Secret Life Of Barry's Wife" (Showtime), “Catskills On Broadway”, and the short film JILLIAN'S VANTAGE (winner, Damah Film Festival); songs recorded by gospel/CCM artists Helen Baylor, Haven, and Maranatha Music; orchestrations for Donna Summer and Vikki Carr; wrote the theme song for "Couples Who Pray", a live project based on the book by Louise Duart and Squire Rushnell; specialty music and lyrics for a variety of artists; songwriting with various collaborators, including Johnny Mandel and Alan & Marilyn Bergman; developing several musical theater projects.
As performer/recording musician: three CDs as solo artist (And All This, Embrace The Cross, and Unto Him This Christmas, aka Christmas Peace); a member of Danciòn (with Juliana Gondek, Abraham Laboriel and others) performingclassical/jazz arrangements of Latin American dance pieces; duo concerts across the US and Europe with her husband, Bill Cantos; co-producing Bill’s last four albums as well as her own releases; musical director, pianist and conductor for Amy Grant, Nell Carter, Donna Summer, Debby Boone, Kim Hill, Vikki Carr, and Deniece Williams; musical director for Off-Broadway, touring musicals, and many L.A. theatrical productions, including serving as musical director for the legendary Groundlings improv comedy troupe; honored as the first female conductor at Caesar's Palace, Las Vegas; many television appearances, including the Grammy Awards (twice), “The Tonight Show”, variety specials, and countless other shows, including a sitcom which shall remain nameless where she appeared as a piano-playing nun.
As playwright: her short plays "Boxed Up", "Between The Lines", "An Orange In Griffith Park" and "The Dieter" have been staged by various theater companies in LA; member of At Rise Playwrights.
Masters degree in classical piano performance, University of Miami (student of Rosalina Sackstein); born and raised in the Chicago area, still a Windy City girl at heart, now living in Los Angeles, would move to Italy tomorrow if she could.
Tucson Jazz Institute Ellington Band
Tucson AZ | Jazz
TJI Ellington Band 2012 Winner of the top community high school band award for the "Essentially Ellington Competition" ! In July 2011, 30 student musicians performed at four jazz festivals in Italy, France and Spain while on a 12-day European tour! A newly formed organization devoted to producing the finest young jazz musicians using a successful educational model developed by its three partners - Scott Black, Doug Tidabeck and Brice Winston.